Composed in the year of the Polish pope’s death, the Chaconne is the final addition to the work, which can be viewed as a monument to Polish historical memory. Over a quarter-century of work, the composer revised the form of the cycle several times and added a number of new movements. Penderecki first wrote the Lacrimosa dedicated to Lech Wałęsa, then, in 1981, he composed the Agnus Dei dedicated to the memory of Cardinal Stefan Wyszyński, and in 1983, he arranged six excerpts of the Dies irae sequence, including the opening part commemorating the victims of the Warsaw Uprising, the Quid sum miser – the Warsaw Ghetto Uprising, and the Recordare for the canonization of Father Maximilian Maria Kolbe. With the form based on the Baroque ciaccona, the Chaconne was written in 2005 as a late addition to the Polish Requiem, which was commissioned in 1980 by the Independent Self-Governing Trade Union ‘Solidarity’ to commemorate the victims of the December events at the Gdańsk shipyard. ![]() He conducted the Orchestra hundreds of times, among others, in the premiere performance of his Sinfonietta per archi in 1992, a composition dedicated to the Warsaw Orchestra. The concert will open with The Chaconne in memoria del Giovanni Paolo II, which can be viewed as Sinfonia Varsovia’s tribute to Krzysztof Penderecki, its longtime musical and artistic director. ![]() John Paul II and an anonymous ‘great Man’. Perhaps from there one can see the other circles inhabited by the figures to whom Penderecki and Beethoven dedicated their works: St. Sinfonia Varsovia’s fourth meeting with Marek Janowski and Ludwig van Beethoven will take you on a journey to the circle of Dantean paradise resided by Beethoven, Schubert, Penderecki, and Mozart.
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